Friday, 30 April 2010
Feedback
Thursday, 29 April 2010
Evaluation
My thriller does conform to some of the conventions found in thrillers. It is set in accessible locations, which is usually the case in thrillers. The characters involved in my thriller are average high school students. There is nothing bizarre or unusual about their characters - they are just everyday people as in the case of most thrillers. Also, I carefully selected the actors to play the roles. I feel that they convincingly played their roles to the best of their ability to portray the characters they were meant to convey, which can be an issue when producing a film without professional actors.
It does challenge several features of traditional thrillers. This is because of the type of thriller I have aimed to produce (a cult teen thriller). Usually in thrillers, the music is used to create suspense throughout the entire film. I have used music to develop the character and to an extent to narrate what is happening on the screen for the opening scene. Also, I have used music with lyrics, which is usunusual but I wanted the lead character to be seen as though she was listening to the music herself (diagetic music). It is only when I reach the dream sequence that music is used to create suspense. Instead of building up to something happening. I have used the opening to disorientate the audience as what is going on. This is not a usual feature of thrillers.
I have learned how to do a Vertigo shot/Dolly Shot, which was a tricky and took a good 15 minutes of filming as at the the same time as moving the camera out, you have to zoom in on the main focal point. This distorts the background but keeps the main focus(Beth) at the same point in the screen. Also, I learned how to edit and create different effects like slow motion through the use of I Movie.
Tuesday, 27 April 2010
Monday, 26 April 2010
Costume and Make Up Ideas
Sunday, 25 April 2010
British Board of Film Classification
The British Board of Film Classification is an independent, non-government body, which has been classifying films since 1912 and videos since 1984. There are 7 categories: U, PG, 12A, 12, 15, 18 and R18.
U- Universal is suitable for all ages over the age of four. U films should have a positive moral framework and with any mild violence there should be reassuring counterbalances quickly after. There should be no reference to drugs, discrimination, weapon glorification or dangerous behaviour. Also, only mild references to sexual activities (kissing) and very little bad language. Since children are easily influenced these films should make it clear what is right and wrong, and to try and discourage unwanted behaviours. Recent examples of this classification are High School Musical and The Hannah Montana Movie.
PG- Parental Guidance is suitable for any age, however, it alerts the parents that there may be some disturbing scenes which are unsuitable for younger audiences. The advised age is around 8 as they could cause upset towards the viewer. The film must have no reference to drugs, discrimination, weapon glorification or dangerous behaviour, similar to U films. They are allowed mild swearing only, discrete mentions of sex and can have more adult themes such as crime, as long as they aren’t seen as a positive. One example is Night at the museum.
12A and 12- Both of these have to comply to the same criteria except 12A is only used for cinema. For films that are 12A, an adult must accompany children if they are under the age of 12. There may be some mild passing reference to drugs and dangerous behaviours. Moderate nudity, sexual activities (as long as its not above what the average 12 year old would know), use of language and violence are acceptable. Mature themes may be approached as long as they are done so in a form acceptable to young teenagers. An example of this is Planet of the Apes.
15- Suitable for anyone over the age of 15. Reference to drugs and weapons are allowed, as long as not to glorify them. Strong language is permitted, as is sexual activity. Any themes are allowed to be approached as long as they are in a manner acceptable for 15 year olds. Any type of horror is permitted except sadistic or sexualised. An example of a 15 is the Butterfly Effect.
18- Only suitable for adults. There is no specific guidelines as adults are allowed to watch whatever they please. Exceptions may include: if the material breaches the law, explicit images which are unjustifiable and something that may be a risk to society. Pulp Fiction is an example of an 18.
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R18- Only sold in sex shops to people over the ages of 18. They may not be sold over mail order and may only be shown in specially licensed cinemas. Certain things may not be allowed such as the encouragement of illegal sexual activities for example sex without consent, paedophilia and rape.
Plan For Filming
Day 1: Milford
Location: Milford Common
Props Needed: Bike, Over The Shoulder Bag, Headphones, Mobile Phone, Small Bag of Icing Sugar and a Bottle of Vodka.
Equipment Needed: Car (for tracking shot), Tripod, Dolly, Ply sheets (for Vertigo Shot) and Camera
Actors required: Beth Walton and Robin Mountford
Day 2: Dream Sequence and Death
Location: Hills of Dundee, Canal and the Woods
Props Needed: Knife, Phone and Red Food Dye
Equipment Needed: Camera, Dolly, Tripod, Ply Sheets for smooth Tracking shots
Actors Required: Beth Walton, Robin Mountford and Hannah Fyfe
Day 3: Credits
Location: Hannah’s House and Outside
Props Needed: Pint Glasses, Shot Glasses, A collection of alcohol, Icing Sugar, Credit Card, Make Up, House Keys, Cup Of Soup and a Cigarette
Equipment Needed: Camera and Tripod
Actors Required: Hannah Fyfe and Matt Marlow
Synopsis for "Addicted"
The aim for the opening of this thriller is to disorientate the viewer and to introduce the main characters. In this the audience are introduced to a blonde girl in a rural setting played by Beth Walton, who is obviously involved in drugs (which is one of the main themes within the film), Robin, who is her friend is murdered, and Beth’s alter ego, Hannah Fyfe (this however remains unknown in the rest of the film). In the credits it shows the audience clips of drugs, alcohol and smoking; 3 things that are associated with today’s youth. The drugs and the alcohol are the main focus of the film.
In the rest of the film you see how the lead character has been introduced into the way of life and the psychological effects it has on her. At the end it turns out she has developed schizophrenia and has an alter ego, which kills Robin.
Friday, 23 April 2010
Music Ideas for Thriller
Monday, 19 April 2010
Storyboard for Opening Scene
Ideas For Thriller
Ideas For Thrillers
I wanted to incorporate some features in my media, which may not be typical to the thriller genre but do show the audience the emotions and feelings of the characters, most of which, I collected features from various other films, even if they have not been classed in the genre of thriller I still liked several techniques in the films.
One of the ideas I enjoyed was the representation of the feeling of being drugged up in Baz Lurhmann’s “Romeo and Juliet”. In this he shows the obvious acting of it but incorporates the characters feeling of disorientation and confusion through a series of changing locations and the music accentuates his confusion, through having several music tracks mashed up together. This is something I hope to incorporate in my opening to a thriller. The rapid change in locations whilst the lead character is on drugs, also I feel that music can establish a mood so instead of using it to confuse the viewer I want to it to set the tone for later events. Another aspect I think works for the representation of drug use is the bright colours and changing the saturation rates in the drug sequence to make the colours vivid.
One other method used in a variety of films is the Vertigo shot. It originally was used in Alfred Hitchcock’s film “Vertigo” to portray dizziness. It involves pulling the camera out as you zoom in on the main focus of the screen; causing the background to distort but the main focus to stay the same. I feel that trying to incorporate this shot will successfully show the feeling of the character after taking the drugs. However, it is rather difficult to establish and get to a good standard, so I don’t know whether it will be possible or not.
For the idea of titles and when the credits have appeared since the main focus of the film centres around drugs, I may incorporate something similar as to seen in cult teen drama “Skins”, of a series of close ups on alcohol and drugs for the actual opening credits.
Finally, I liked the idea used in many thrillers to have the ending at the beginning. Not only does this allow something to actually happen in the opening but creates a sense of confusion.
Textual Analasis of Fight Club
Fight Club Opening
In the entire opening credits of Fight Club, special effects have been used. Computer imaging has also been used to generate a constant pull away shot to run through what appears to be the synapses to someone’s brain. This has relevant to the rest of the film where it turns out the lead character(the narrator) is a schizophrenic. Also, the music in the opening credits is fast pace technological rock, adding to the sense of panic. As the credits come to an end, a series of extreme close up of hair follicles, sweat and a metallic object (a gun) is used to establish the scene. In addition to this the music fades away and instead the music is replaced by what the narrator is thinking. The narrator, who has a gun in his mouth, and the rest of the opening scene is told through the narrators thoughts as another character (Tyler Durten) harasses him.
The first shot the audience is able to properly see in focus is a close-up of the narrator; this directly shows the terror in his eyes and detail such as the sweat dripping off his head. Also, it enables the audience to see that the bottom half of his face is obscured by a gun. Due to this, it automatically drags the audience in as they begin to question what is going on. The next shot seen is an establishing shot, which shows the audience exactly what’s going on but still they disorientated, as there is no sustained plot at this point. Several point of view shots are used from Tyler’s point of view. A high angle shot is used to show Tyler's dominance over the narrator. As the camera moves out it reveals a dark, bare room, which is generally stereotypical of a thriller. The lack of bright colours and ominous surroundings creates an air of darkness that the opening scene creates. Throughout the entire scene, the audience is unable to completely identify Tyler. This use of mid-shots creates an air of mystery about Tyler and his character, so it enables the audience to question who is Tyler Durten, which is the opening line to the film. The final shot with the characters in site is effective. It is a medium low angle shot of Tyler’s torso but in the reflection of the glass the audience can see what he is looking out over. The rest of the shots are fast moving shots creating imagery in time to with the narrator is saying.
Unfortunately, I am unable to upload a video on to the blog since it has been taken off youtube due to copyright issues.
Friday, 9 April 2010
Conventions of Thrillers
Relatively Normal Settings
In thrillers, the setting is never somewhere completely out of the ordinary like a mystical island. The setting is normally in a place, which is accessible to the audience adding a sense of realism to the film, making the film more connected to its viewers. Examples of settings are cities, small towns or holiday locations. In numerous thrillers, the film is set in the suburban areas of America, which is similar to where the majority of the target audience live so they can identify easily with the film. For example, in the film Donnie Darko, the entire film is based in a small town in America. Rather than having the lead character going looking for adventure, instead the events and happenings are situated within the small town.
Relatively Normal Characters
Another stereotypical aspect of Thrillers is the type of characters found in them. Usually, they are middle class people; more often than not have some connection with the law. Either they are involved in crime solving, such as in Se7en where Morgan Freeman plays the part of a detective, or have some kind of run in with the law, like in The Usual Suspects. Characters are seen as relatively normal people in relation to other films. This is again to achieve a sense of realism.
However, characters often have a suspicious complex giving them some kind of unknown. This is usually kept unknown throughout the majority of the film. In Se7en, Morgan Freeman is kept distant from the audience, which raises suspicion with the audience, thus creating tension and suspense.
Twists
In thrillers the plots always consist of some kind of deception, be it through a Mcguffin, or deception of character. Psycho shows both of these conventions through the use of the money to motivate the plot and the character of Norman Bates turning out to be a schizophrenic. Due to the plot always having twists it keeps the audience focused and on edge. Also, it keeps the audience questioning what’s going on, often disorientating the viewer through the misleading hints throughout the film.
Music
Throughout every genre of film music is used to establish the tonality of films, thrillers are no different. Thrillers’ music often focuses around a singular melodic idea, which is either repeated for an indicator of suspense or developed into a full piece of music. They are often very simplistic melodies with clashing dischordal harmonies. These melodies are often what directors rely on to create the suspense rather that what’s going on in the film. A famous example of this is Psycho - throughout the entire film, the music is based around the sharp violins that go in time with the stabbing motion.
Suspense
This is vital in any thriller, whether it be a crime-thriller or a psychological thriller; there is always an air of suspense. Through keeping the audience on edge, the audience remain engrossed in the film. This suspense is often created through the various methods above. One film that is exceptionally successful at keeping suspense throughout the entire film is Funny Games. Throughout this entire film it managed to keep me on edge this was achieved through the named methods above as well as the lack of music. Usually the music allows the audience to predict whether or not something is going to happen. Since the director takes this key element away, it means the audience can no longer rely on the music to indicate when something significant is going to happen.
Lack of resolution
Another aspect that directors have recently adopted for thrillers is leave the film open ended, suggesting a hint that whatever is classed as the “villain” is still out there. Through keeping ideas unfinished, it makes the audience question whether or not they are still out there. The Usual Suspects does this magnificently, not only does it suggest that someone is still out there but also leaves the audience questioning whether the entire film is a lie made up by the lead character, who is the villain.